I was contacted by Simon Bacon regarding James DeMonaco’s 2025 feature, saying that it was “defo vampy” though warning it was medical rather than supernatural. Well then, let’s see.
The film starts with Max (played older by Pete Davidson, and young in flashbacks by Jagger Nelson) led coughing on a couch, in a run down apartment, the TV talking about climate change – there is an aspect of eco-horror to this but it is generally under-explored. A flashback shows a celebration in his foster home as his foster-brother Luke (Matthew Miniero) prepares to leave for college.
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| Max's Mural |
There is a theme of “thicker than blood” to describe their foster relationship and Max has that tattooed on his chest. Adult Max is artistically talented and breaks into a derelict building to paint an eco-awareness mural. He is arrested and, in the cell, remembers the time when he was told by his foster parents (Jessica Hecht & Victor Williams) that Luke had committed suicide at college. His foster father comes to him and says that he had a word with a judge and cut a deal to have Max avoid jail time (a little harsh for painting a mural, one feels) for community service. He is to work four months at a retirement home.
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| Pete Davidson as Max |
He gets there and is told what his job involves and to not go to the fourth floor as special care patients are up there. Yet, from the beginning, things seem off. He stumbles onto geriatric, masked sex, discovers he can’t really sleep and hears screaming through the vents. He quickly investigates the fourth floor and is attacked by a screaming man (Stuart Rudin, Stake Land), leading to him being caught and reprimanded. But things keep getting odder and he begins to unearth a government conspiracy…
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| Luke aged |
And here we have the spoiler alert as I need to drill into the aspects of “Vamp or Not?” There is a conspiracy, but not the fabricated one the residents draw to entertain themselves at Max’s expense. The residents are worshippers of Dea – called in film the God of Youth but Dea was simply Goddess in Latin. His foster parents are in on it and send foster children to the home to be used as a source of vitality for the residents and certain staff. The screaming man is Luke, aged beyond recognition and he was trying to save Max, not attack him.
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| procedure |
The idea is that the home’s doctor, Sabian (Bruce Altman), discovered a gland behind the right eye, which is the source of a person’s youth and vitality and dries up with age. He is draining the gland of its “nectar” by piercing the eye, pushing through to the gland, and the residents subsequently drink it. Max has been drained nightly – hence believing he isn’t sleeping but at a ceremony they intend to take much more. They say he will end up feeling 100-years-old and, as we have seen with the other fourth floor residents, draining the sack prematurely ages them. For the recipients it staves off aging further and increases their libidos.
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| Max and Lou |
I guess we could liken the victims, in this case, to the undead. Aged beyond recognition, sat in a half-life that is no life at all, perhaps embodiments (Luke is at least) of undead memory. The vampirism is very similar to that displayed in Brand Upon the Brain! (which called the extracted fluid nectar, also) and The Leech Woman - though this is the product of a gland, like the Leech Woman, rather than the brain itself, which was the case in Brand. Very much Vamp, this did carry me along for the journey.
The imdb page is here.
On Blu-Ray @ Amazon US
On Blu-Ray @ Amazon UK









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