Director: Chad Archibald
Release date: 2025
Release date: 2025
Contains spoilers
Vampiric entities appear in films, not necessarily undead – perhaps demonic, perhaps an inhabitant of another dimension – but they want to feed. Of course I was going to watch a film called It Feeds, it may or may not have proven to be about a vampiric creature, but the title was certainly an attractor. As it happens the entity proved to be an energy vampire.
It starts with Cynthia (Ashley Greene, Twilight & Sequels) stood in a school setting, the blackboard covered in writing attesting to the wolf. She walks as the wind blows through the school and enters an office, a coach (David Thompson) sat facing away and a child (Jayden Kirton) in a cage. If it all looks dreamlike, well it kind of is because it is a brainscape. She tries to encourage the child to let himself out of the cage but he is scared. Eventually he tries but the coach turns and a whiskey glass explodes, cutting her arm. The child retreats, she says they can try next time and she begins to chant under her breath.
She opens her eyes in the real world, removing her fingers from the forehead of her client Larry (Dov Tiefenbach, the Strain). Cynthia runs a home psychiatry practice, but she has the ability to step into people’s minds – though what happens to her in the mind happens in reality, so she has a cut arm from the glass. As the film progresses, we discover her clients are sworn to secrecy, they were driven from one town by superstitious townsfolk. Her husband had the same ability but he attempted to wrest an entity from a client and subsequently hung himself. Cynthia’s 17 years-old daughter, Jordan (Ellie O'Brien), screens her clients and does online research to help. Occasionally Cynthia has been able to tip the police as to wrong doers who hurt her clients.
There is a banging on the door and it is a young girl, Riley (Shayelin Martin). She has snuck away from her dad, Randall (Shawn Ashmore, The Ruins) , and she is desperate for Cynthia’s help – apparently a previous client, Agatha (Juno Rinaldi, Jennifer’s Body), had mention Cynthia to Randall and Riley overheard. Jordan is screening her and she talks about a thing she sees. She suggests it stares like a starving dog and is in the room, it caused the scars on her arms (which look like burns), she claims, and it is always hungry. Cynthia walks into the room and can see it, when Randall bursts in and drags his daughter away.
Jordan wants to help the girl but Cynthia refuses to help, she knows it is a real, malevolent entity and out of her skill area. However Jordan manages to follow up, find their home and is captured by Randall for her troubles. Randall’s wife was a nurse who did overseas nursing and it is implied picked the entity up there. It essentially devoured her over time, draining her life and causing massive physical deterioration – the hospital she ended up in believed it was some sort of flesh-eating disease hitherto unknown. When she died, Riley was in the room and the entity passed over to her. Randall has been kidnapping people and the entity has eaten them through Riley (as a conduit) – the energy transference burning them. The entity speaks to the host and, when we hear it speak it says “Feed Me”. In the kerfuffle that follows, Riley dies, Jordan becomes the host and Cynthia has to defeat the entity – not helped by Randall deciding to defeat the entity himself with a plan to bury Jordan alive and let her die with no-one near to become the next host.
This was interesting, the idea of being able to enter a patient’s trauma to help them psychiatrically was neat, though similar has been done before. However the entity was a nice touch. Definitely an energy vampire, but one never sated, in its own dreamscape it sits on a throne like chair and controls vine like tendrils. There are moments were you do have to suspend disbelief – Jordan is bound, Riley brings clippers and puts them in her behind-her-back-hands rather than snips the cable ties round the wrists. This led to a tension moment and a delay in escape. But, then again, Riley is a scared child. 6 out of 10.
The imdb page is here.
On Demand @ Amazon US
On Demand @ Amazon UK
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| in the classroom |
It starts with Cynthia (Ashley Greene, Twilight & Sequels) stood in a school setting, the blackboard covered in writing attesting to the wolf. She walks as the wind blows through the school and enters an office, a coach (David Thompson) sat facing away and a child (Jayden Kirton) in a cage. If it all looks dreamlike, well it kind of is because it is a brainscape. She tries to encourage the child to let himself out of the cage but he is scared. Eventually he tries but the coach turns and a whiskey glass explodes, cutting her arm. The child retreats, she says they can try next time and she begins to chant under her breath.
 |
| Ashley Greene as Cynthia |
She opens her eyes in the real world, removing her fingers from the forehead of her client Larry (Dov Tiefenbach, the Strain). Cynthia runs a home psychiatry practice, but she has the ability to step into people’s minds – though what happens to her in the mind happens in reality, so she has a cut arm from the glass. As the film progresses, we discover her clients are sworn to secrecy, they were driven from one town by superstitious townsfolk. Her husband had the same ability but he attempted to wrest an entity from a client and subsequently hung himself. Cynthia’s 17 years-old daughter, Jordan (Ellie O'Brien), screens her clients and does online research to help. Occasionally Cynthia has been able to tip the police as to wrong doers who hurt her clients.
 |
| entity behind her |
There is a banging on the door and it is a young girl, Riley (Shayelin Martin). She has snuck away from her dad, Randall (Shawn Ashmore, The Ruins) , and she is desperate for Cynthia’s help – apparently a previous client, Agatha (Juno Rinaldi, Jennifer’s Body), had mention Cynthia to Randall and Riley overheard. Jordan is screening her and she talks about a thing she sees. She suggests it stares like a starving dog and is in the room, it caused the scars on her arms (which look like burns), she claims, and it is always hungry. Cynthia walks into the room and can see it, when Randall bursts in and drags his daughter away.
 |
| Ellie O'Brien as Jordan |
Jordan wants to help the girl but Cynthia refuses to help, she knows it is a real, malevolent entity and out of her skill area. However Jordan manages to follow up, find their home and is captured by Randall for her troubles. Randall’s wife was a nurse who did overseas nursing and it is implied picked the entity up there. It essentially devoured her over time, draining her life and causing massive physical deterioration – the hospital she ended up in believed it was some sort of flesh-eating disease hitherto unknown. When she died, Riley was in the room and the entity passed over to her. Randall has been kidnapping people and the entity has eaten them through Riley (as a conduit) – the energy transference burning them. The entity speaks to the host and, when we hear it speak it says “Feed Me”. In the kerfuffle that follows, Riley dies, Jordan becomes the host and Cynthia has to defeat the entity – not helped by Randall deciding to defeat the entity himself with a plan to bury Jordan alive and let her die with no-one near to become the next host.
 |
| enthroned |
This was interesting, the idea of being able to enter a patient’s trauma to help them psychiatrically was neat, though similar has been done before. However the entity was a nice touch. Definitely an energy vampire, but one never sated, in its own dreamscape it sits on a throne like chair and controls vine like tendrils. There are moments were you do have to suspend disbelief – Jordan is bound, Riley brings clippers and puts them in her behind-her-back-hands rather than snips the cable ties round the wrists. This led to a tension moment and a delay in escape. But, then again, Riley is a scared child. 6 out of 10.
The imdb page is here.
On Demand @ Amazon US
On Demand @ Amazon UK
