Monday, March 18, 2024

Use of Tropes: Shake Rattle & Roll Extreme


It is always great to get a new entry into the long running Philippine horror anthology series, Shake Rattle & Roll. This new one from 2023 recently dropped onto UK Netflix. The first segment, Glitch, is a great demonic entry and I was also rather taken by zombie-esque final segment Rage with people turned by space parasites, and the segment carrying the fun conceit that the more violence they commit the more powerful they become.

The segment that has led to this article is Mukbang, directed by Jerrold Tarog, which was interesting because it moves directly into the world of internet influencers. However, whilst the creatures in it are not named as such, I did get a bit of an aswang feel.

Jane Oineza as Ms Vee

We see a motley crew of different influencers arrive at a mansion. We have Adelle (Esnyr Ranollo) and their assistant Beyoncé (Phi Palmos), Ashley B (AC Bonifacio) and her assistant Hannah (Jana Taladro), Ms Vee (Jane Oineza), and Chef Kino Javier (Ninong Ry) and his assistant Issac (Ian Gimena). They are meeting Robin (Paul Salas) and Reye (Elle Villanueva) who have set the whole thing up to hit a million subscribers. The viewer notices that each influencer character is introduced with their followership levels. Late is Lionell (RK Bagatsing), Vee’s boyfriend and influencer in his own right. Also there is caretaker (and, we later discover, butcher) Mr Isko (Francis Mata).

influencers

It is a collaboration, including a Mukbang and Mr Isko will provide the meat. Beyoncé is the first to change. We see them wandering, meeting Robin, something indistinct with glowing eyes appearing behind them and then Beyoncé acting odd in scenes thereafter. The general plot is that there are monsters in the mansion. Now aswang is a term meaning monster (and can be very generic) but aswang are mentioned once later when Adelle puts on makeup and pretends to be one.

what's behind Beyonce

The monsters themselves are referred to as kindred and the plot is one of world domination. A kindred will rip the heart of a victim out and eat it, in doing so they take on their appearance. The rest of the victim is then butchered by Mr Isko who gets Chef Kino to ignorantly cook it for the Mukbang, with the villains amused that the human influencers are tricked into cannibalism. The disguised kindred needing to eat the flesh to consolidate their appearance and regain strength. The idea is to take over the influencers, gain their platform, and then start inviting followers to further events.

one of the Kindred

It is the association with aswang (even in the generic monster sense, and we can note that the kindred are credited as monsters), the eating of the heart to gain a victim’s shape and the cannibalism that leads to this mention. This is the most comedic of the three segments and the influencers are not really drawn as pleasant. Unkind (in cases) to their assistants, cheating, more concerned with content than safety to the point of doing an advert for a sponsor whilst being attacked. The two who come off better are revealed to be villains of the piece (Robin and Reye) and, in some respects, the influencers themselves might be said to be vampires.

The imdb page is here.

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