Friday, September 29, 2023

Short Film: Maxx Bloodd - Vampire Spy


Directed by Rock Savage and released in 1993 (allegedly, there isn’t an IMDb page) this comes in at a scant 40-minutes and follows the exploits of super-spy Maxx Bloodd (Rock Savage), a vampire working for SNUFF – the Scientific Network United for Freedom.

The film starts, however, with the crime lord called Crackheadd (Frank Vassallo) whose strange head would seem (at least with a sfx at the end of the film) to be meant to have been made from porcelain. He has a host of henchmen including Enema Ernie (Nick Walker) and Deathfist (Eric Koger). Crackheadd has the mayor (also Frank Vassallo) compromised.

The spy who bit me

There is a fear that the drug war will be used to usher in totalitarianism and so SNUFF approach Bloodd and offer him a serum that will suppress his hunger for blood, not that it seems to make much of a difference as he bites plenty of folks through the film. Bloodd was a Weatherman (a far left revolutionary group active in the US in the late 60s and early 70s) and suggests that a gypsy woman offered him everlasting life and made him a vampire.

Father Dick Gozinya

The video quality is absolutely awful, the sound compromises itself and the humour is mostly puerile, but ranges to offensive as there is an unfortunate use of blackface as Vassallo plays the mayor. However, if you like your flicks as low budget and as lowbrow as you can get them (how lowbrow? the vampire hunter is called Father Dick Gozinya (also Frank Vassallo)), then you can get this on DVD from Etsy.

Wednesday, September 27, 2023

Creepshow Season 3 (Blu-Ray review) – review


Director: Various

First Aired: 2021

Contains spoilers

Ahead of the airing of Creepshow Season 4 on Shudder, Creepshow Series 1, 2 & 3 are available on Blu-ray, DVD & digital in the UK and I have been lucky enough to get the three seasons on Blu-ray to review.

This season consisted of 6 episodes with 2 segments per episode, just like Season 1 did but, like the second season, boasted two vampire (or vampiric segments) and both were worth watching.

the plant/corpse drinks blood

The episode 1 segment Mums was a vampiric plant (or plant/corpse hybrid) and was a solid little episode that stood the test of a rewatch. The story centres on an abusive father (Ethan Embry), a murdered mom (Erin Beute, Vampire Diaries) and the revenge she, and their son (Brayden Benson), manage to exact on dad for her murder.

the krasue

At the other end of the season we get some political commentary and a krasue in episode 6’s Drug Traffic. For me, a highlight of the season in its own right, it was great to see Michael Rooker in Creepshow and very exciting to have the krasue (the creature type is not mentioned by name and so remember the krasue is the Thai name for a vampire type that appears across South-East Asia under a variety of names). This had a nice twist on the lore at the end.

Michael Rooker as Beau

Other highlight segments, for me, included the other segment in episode 6 entitled A Dead Girl Named Sue, which takes part in the Night of the Living Dead universe as the zombie outbreak has just begun and episode 4’s Meter Reader, which was a demonic apocalypse episode, with a great atmosphere and a story that did borrow a theme from the vampire short the Family of the Vourdalak. Just to note the other segment in that episode, Stranger Sings, featured a siren.

mum's flowers

The Blu-ray set has a Comic Con panel and some behind the Scenes footage but feels a little light on extras compared to the other 2 sets – then again it is a strong set of episodes. As the review is for the Blu-Ray set I am holding this to 8 out of 10 overall, slightly behind the season 2 set. However, the widescreen transfer looks very good and it is the episodes that are the main course.

The imdb page is here.

On Blu-Ray @ Amazon US (contents may vary to UK edition)

On Blu-Ray @ Amazon UK

Monday, September 25, 2023

Scare Us (2021) – review


Director: Ryan Henry Johnston (segment)

Release date: 2021

Contains spoilers

This is a portmanteau film where the wraparound is in a town where a serial killer is at large but, despite the curfew in place, a group gather to their creative writing circle to trade scary stories and you can bet that the serial killer will make an appearance.

However, before they do we get four segments and the first of these is entitled Night Haul – a story told by Naomi (Michelle Palermo) – who becomes the primary character in the story. This does not explicitly state it is a vampire segment but the creature, as we will see, is built around genre tropes and there is (the credits are for the film generally but there is a character listed called the Count, played by Richard Lippert, who also plays a priest in this segment, so I think it is safe to assume this is the name of the creature).

in the lift

A woman arrives at a storage unit and we hear a phone argument, clearly with her husband who sounds abusive. She throws the phone, breaking it. She gets in the lift to the floor with her storage but the doors are stopped and a priest enters pushing a trolley with what looks like a crate on it. She is getting out of the lift when the security guard (Eric Hula) appears and warns that the place closes in ten minutes. She pushes her way past and goes to her storage.

dying

She is looking to leave when she hears something strange, looking round the corner she sees the priest on his knees and then he coughs up blood. She goes to help him but he warns her off and stumbles along the corridor until he collapses in the lift door, apparently dead but with a look of someone who died a very bad death. She hears a voice and it sounds like a little girl asking for help. She goes to the priest’s storage locker and finds that the crate is chained (and has a silver cross and chain atop the lid).

the crate

She attempts to open it and half succeeds. She tries to find something in her locker to help open it but the lights go out at the same time as a crashing noise. The night lights cut in but when she gets back to the other locker the crate is smashed and soil is everywhere. Then she realises something is after her, something with talon like claws and a bat like head (or so it seems in the one, very dark look we get of the Count’s head.

the count

So, a crate with soil – bound by chains but also a cross, containing a creature that can sound like someone else and seems to be batlike. A creature apparently called the Count. It all points towards the filmmakers definitely making this a vampire story and it is fairly by the numbers with not a lot of inventiveness – especially compared to the other three segments that are all rather stranger and much more inventive. Nevertheless, it is a nice little hors d'oeuvre for what is to come and doesn’t outstay its welcome. 5.5 out of 10 for the vampire segment but it is the weakest of the four.

The imdb page is here.

On Demand @ Amazon US

On Demand @ Amazon UK

Saturday, September 23, 2023

Creepshow Season 2 (Blu-Ray review) – review


Director: Various

First Aired: 2021

Contains spoilers


Ahead of the airing of Creepshow Season 4 on Shudder, Creepshow Series 1, 2 & 3 are available on Blu-ray, DVD & digital from 25 September 2023 in the UK and I have been lucky enough to get the three seasons on Blu-ray to review.

I have previously looked at two of the segments here. Model Kid received an honourable mention. Following Joe (Brock Duncan) who is in to all things horror, who loses his mum (Tyner Rushing, Lovecraft Country) to cancer, is abused by his Uncle Kevin (Kevin Dillon) and who discovers that he can bring the monsters he loves to life. The segment got it’s mention because of him dressing as Dracula at the head of the segment and the fact that he had turned into a vampire at the very end.

Lola's impressive maw

The other segment was from episode 3 and was Sibling Rivalry in which Lola (Maddie Nichols) is convinced that her brother Andrew (Andrew Brodeur) is trying to kill her. And he is, but mostly because she has been turned into a vampire, has killed their mom and dad and doesn’t realise it. The snappy dialogue from Maddie Nichols as she tries to explain her story to school counsellor Mrs Porter (Molly Ringwald) is worth the entry fee alone and this is one of my favourite segments in the whole season.

Joe becomes a vampire

However, it is a strong season – reducing from 6 to 5 episodes (and the last episode, Night of the Living Late Show, being just one story) this is all killer and no filler. The aforementioned Night of the Living Late Show, which cleverly uses footage from both Horror Express and Night of the Living Dead and Public Television of the Dead (paired with Model Kid) that features Ted Raimi in an Evil Dead segment are both brilliant. The Blu-Ray also has episode length specials in the form of the holiday special (Shapeshifters Anonymous) and a Creepshow Animated Special (Survivor Type/Twittering from the Circus of the Dead). There aren’t the audio commentaries that disc 1 boasted of, but there is an interview with Greg Nicotero, photo galleries and behind the scenes featurettes. This is a great season and well worth your time. 8.5 out of 10 for a great set.

The imdb page is here.

On Blu-Ray @ Amazon US (contents may vary to UK edition)

On Blu-Ray @ Amazon UK

Thursday, September 21, 2023

Creepshow Season 1 (Blu-Ray review) – review


Director: Various

First Aired: 2019

Contains spoilers

Ahead of the airing of Creepshow Season 4 on Shudder, Creepshow Series 1, 2 & 3 are available on Blu-ray, DVD & digital from 25 September 2023 in the UK and I have been lucky enough to get the three seasons on Blu-ray to review.

I have previously reviewed individual vampire episodes and, in honesty, this season did not contain a vampire related episode but it was a damn fine anthology series in its own right and there were passing moments of vampires in the Creepshow comic graphics that layered between episodes. These were in the form of adverts for various masks, models and LPs that readers of the fictional comics could send off for. Nevertheless, we have vampires mentioned in passing in these ads and also mentioned in the episode 2 segment – the Finger (which I will come back to).

the Creep

The series is made up of 6 roughly 45-minute episodes, with animated moments of Creepshow mascot, The Creep, and comic stills related to the story (the comic bookends each episode, the inference being that the episode is the comic brought to life). Each episode contains two stories and they run the gamut from monsters to killers and all sorts of horror tropes in between. A cursed head that appears in a girl’s dollhouse is one of the stranger segments, entitled The House of the Head. Incidentally one of the carpets in the dollhouse matches the Overlook’s in the Shining.

giant Venus vampire

One of my favourite segments of this season was in episode 2, the aforementioned The Finger. Before it came Bad Wolf Down, a wholesome tale of werewolves killing Nazis during World War 2. The Finger follows a character Clark Wilson (DJ Qualls) who is a divorcee, living in a run-down house, barely getting by as a web designer and who likes to take walks and collect things (mostly useless junk). On one such excursion he finds a clawed finger – one which seems to absorb beer he spills and then grow into a whole arm. Eventually it grows into a demonic creature – he calls it Bob – who likes to please Clark by going out and killing people he dislikes… such as the “f*cking vampires” at the debt collection agency that keep ringing him, or his ex-wife. Qualls breaks the fourth wall as he tells the tale to camera (in a story explained way) and the story itself can either be read as Bob being real or a figment of homicidal delusion, perhaps even (as it grows through spilt beer) an expression of alcoholic rage.

vampire mummy mask

Episode 4’s the Companion has a neatly gothic atmosphere to its take of a scarecrow come to life and Night of the Paw (episode 5) is an interesting reworking of the Monkey’s Paw. Not every segment works as well as others and I think it’s a shame that the execution of Times Is Tough in Musky Holler (also episode 5) was not as good at the denouement as the concept itself, which was pretty fun. The Blu-ray set presents in widescreen over 2 discs and the transfer is lovely. This season is a bit light when it comes to the variety of extras – with the only extras being an audio commentary per episode, bar episode 5 with a director’s commentary from John Harrison and then a separate screenwriters’ commentary with John Esposito during Night of the Paw and then co-screenwriter John Skipp during Musky Hollow. I love anthology series and this one did hit the mark for me much more than it missed and as a Blu-Ray set I think a strong 7.5 out of 10 is fair.

The Season’s imdb page is here. Note that it lists an episode 7 and 8 – both specials and both appear on the season 2 Blu-ray set.

On Blu-Ray @ Amazon US (contents may vary to UK edition)

On Blu-Ray @ Amazon UK

Tuesday, September 19, 2023

Cannibal Girls – review


Director: Ivan Reitman

Release date: 1973

Contains spoilers


This strange little exploitation flick stunned me by the fact that I really rather enjoyed it. I don’t know what I was expecting but it was certainly not what I saw. Don’t get me wrong, its daft, and yet has an undercurrent of creepiness that puts the viewer off kilter. It has no great thought-out story either and I understand much of the dialogue was improvised but then it did have Eugene Levy and Andrea Martin doing the improvisation… oh and Ivan Reitman directed.

Is it grand cinema then… well no but it has something that raises it above the exploitation flick it appears to be and it also, in some regards, apes Dracula.

beach attack

It starts with a couple by the seaside and laying a blanket on the ground… it all looks a bit chilly to me being a snowy Canada but they are young and up for it. Or they were until a figure of a woman approaches and buries a pick axe in him. The girlfriend screams and has her blouse ripped open for her trouble. For a moment we get a close up of eyes (I’ll come back to those). In town the local cop (Robert McHeady) tells the doctor (Ray Lawlor) that they have another one.

Cliff and Gloria

Leant up against a car, Gloria (Andrea Martin) is trying to read a map and can’t make head nor tails of where they are. Her boyfriend, Cliff (Eugene Levy), is off screen presumably relieving himself. After a while he stops talking back and she gets worried, she starts to look for him and he jumps out at her. We can see, however, that they are observed from the woods by a woman with a knife. The car refuses to start and after some shenanigans they get a false start and then the car nudges back to life.

Randall Carpenter as Anthea

Cliff stops in the next town and asks at a garage if there is somewhere to stay and is directed to Mrs Wainwright’s (May Jarvis) motel. There is also a guy asking whether anyone has seen a girl, his sister, to no avail. After the man goes, the garage attendant talks to the cop and says the guy was asking about one of the Reverend’s girls and an arrangement is made to have him done away with. Meanwhile Cliff and Gloria have got to the motel and, when talking to Mrs Wainwright, she tells them the local legend of the cannibal girls.

Mira Pawluk as Leona

The three lived in a large house, she explains, and were Anthea (Randall Carpenter), Clarissa (Bonnie Neilson) and Leona (Mira Pawluk). In her telling of the story, three men are lured to the house; Leona chats Felix (Allan Price) up in a bar, Earl (Earl Pomerantz) was already at the house when Felix arrives and, from the dialogue, it seems that the girls string them both along for a couple of days. Eventually Rick (Alan Gordon) is given shortcut directions to another town, which go past the house, and he ends up staying overnight, though how that happened isn't shown. Once all three are there they are done away with over the next night.

scissor attack

The first to be killed is Earl, who finally thinks he is on a promise with Clarissa. We hear her (in her head) intone “Within me and without me, I honour the blood, which gives me life” and then takes him out with scissors. Felix actually does sleep with Leona but is sent back to his own room afterwards and Anthea chops him with an axe as he leaves Leona's room. Somehow Rick sleeps through all this, wakes handcuffed to the bed and the girls come in, drip blood on his torso and then lick it up, which quickly becomes biting into him…

dinner with the Reverend

And that’s the local legend but Mrs Wainwright assures them that it was some time ago (probably not that long ago, given the garage attendant being in the story and the missing sister possibly being Anthea). Nevertheless she then says the house is still there and is now a restaurant and takes the pair up there (after they settle in, Gloria falls asleep and Cliff takes the car to the garage – which we later see the attendant put a for sale sign on). The restaurant is run by the very theatrical (and formal wear wearing) Reverend Alex St. John (Ronald Ulrich), they are the only guests, there is only one thing on the menu and he dines with them (and is a tad handsy with Gloria)…

the Rev and his girls

So, the Dracula bits I saw in this start with the Rev. He has the three girls, he wears formal wear like the Lugosi version of Dracula (the top hat could also be a reference to London After Midnight) and he also has a particularly strong line in eye mojo, it appears. This is augmented visually by several eye close-ups, indeed the eye close-up I mentioned at the beginning were his eyes (suggesting a telepathic connection also). He also asks the couple to stay and when they refuse makes them promise that if they hear anything in the woods they’ll run and not look back (building a fear). They leave anyway and almost immediately hear wolves, turn back and stay the night – so the scene is lifted from Dracula when the Count allows Harker the opportunity to leave Castle Dracula. The Rev. also says they should “drink the blood of life eternal” (cf. the blood is the life) “and live forever”.

a toast to the Reverend

There were other things I perceived through the running time. As mentioned, the performance for the Rev was very theatrical (this is actually mentioned in dialogue and may have been an adlib) but would not have been out of place in Children Shouldn't Play with Dead Things. There is a turn around where Gloria is gaslight into thinking everything is in her head, the townsfolk are in on it (we see the main players having a meal beneath a picture of the Rev., with them eating flesh, drinking blood and a toast is called to the Rev. as their guiding spirit) and there are strange moments in town such as the town barber slicing a customer's ear off, unobserved by the couple as they walk past his shop. The atmosphere at times, through this, resembled the small town uncanny portrayed in Let’s Scare Jessica to Death.

Bonnie Neilson as Clarissa

The film is therefore a strange old thing but it really kept my attention as I was drawn into apparent references. Even the fact that it seems a tad ill-prepared feeds into its uncanny presence. I think some of you will watch this and think me mad, but I was very taken with this one. It probably doesn't deserve 6 out of 10, but it's getting it anyway.

The imdb page is here.

On DVD @ Amazon US

On DVD @ Amazon UK

Sunday, September 17, 2023

El Conde – review


Director: Pablo Larraín

Release date: 2023

Contains spoilers

Augusto Pinochet was, of course, a right wing dictator who seized and violently maintained control of Chile and who is associated with fascism (though academically it is argued that, whilst ultra-nationalistic and popularist, his ideology skirted close to, rather than was, fascism). His human rights abuses are well documented; Thor Halvorssen, president of the Human Rights Foundation said:

He shut down parliament, suffocated political life, banned trade unions, and made Chile his sultanate. His government disappeared 3,000 opponents, arrested 30,000 (torturing thousands of them) ... Pinochet's name will forever be linked to the Desaparecidos, the Caravan of Death, and the institutionalized torture that took place in the Villa Grimaldi complex.

Jaime Vadell as the Count

All of which is background useful for a film that is a sociopolitical satire and centres on Pinochet (Jaime Vadell), or the Count as this version of him insisted on being called in private, as a vampire. Set in the here and now, the Count is aged and dying. Clinging to his martial past (the diegetic opening music is the March of Radetzky and his book Memoirs of a Military Man is on display), he lies in bed and it looks like he is about to salute but rather he puts his hand to his weary brow.

old fangs

The film is accompanied by a narration, the identity of the narrator (Stella Gonet) is not revealed until quite a way into the film (when she becomes physically involved) but was blatantly obvious within the first lines of her voiceover – though I won’t spoil as it is a reveal. The narration reveals that he has taken blood from all over the world but his favourite is English (no doubt tied to empire) and suggests that South American blood is insipid and the blood of workers – a dismissive view of the relevance of the working class.

about to be staked

In an alternate biography, we discover that Pinochet was born Claude Pinoche (played age 28 by Daniel Contesse) an orphan who became a soldier in France (the real Pinochet’s ancestry was French), under Louis XVI, and discovered his vampirism when he (drunk) bit a prostitute. He awakens, not remembering and a group of prostitutes tell him what he had done, call him vampire and look to stake him, in consort with a mallet wielding priest. He turns the stake on the priest and kills the prostitutes, smashing one of their heads to a pulp with repeated mallet blows.

at the guillotine

Of course, the revolution occurs and Pinoche betrays his king by deserting and passing himself off as a revolutionary. His taste for blood has solidified and we see him licking blood from Marie Antionette’s guillotine. He eventually robs her grave and steals her head (replacing it with that of another corpse he desecrated) – the executed Queen’s head becoming a prized keepsake – and fakes his own death. He reappears as a soldier in Haiti, Russia and Algeria fighting against revolutions – indeed his loyal manservant (and vampire) Fyodor (Alfredo Castro) was a White Russian. Eventually he appears in Chile, in 1935, rises up the ranks and in 1973 deposes the left-wing Government in a coup.

lying in state

After Chile became democratic and he found himself under investigation, he once more faked his own death, in 2010 (the year the real Pinochet died). He does this by not drinking blood for several months and seeming to have a heart attack. There is a scene of him lying in state, in a glass fitted coffin, and him sneaking a peek at the mourners. The imagery of him in the coffin brought Dreyer’s Vampyr to mind. 

hunting

In the here and now, he resolves not to drink blood as he wants to die and yet seems to be hunting – taking hearts and liquidising them to drink. His (human) children are due to visit – they want his monies – and the church send an exorcist nun, Carmencita (Paula Luchsinger), to dispose of him and the film does, as well as playing with the evil of fascism/pseudo-fascism, have a thing or two to say about the church and its financial obsession (she acts as an accountant and the church specifically wants his money as much as the children do) and how easy it is for the church to be politically turned.

Carmencita and the Count

So there is plenty, in a satirical sense, going on but not so much as far as in-depth narrative. The story is fairly simply laid out, with the Count exiled to a remote complex, miles from the thriving, pulsing modern city but close enough to fly to. We do get an understanding of how he was born a vampire, which is relayed later in the film, though for the most part a vampire has to bite to turn someone. Because of this the main method of feeding is to cut the throat, open the chest and then, as mentioned, take the heart and blend it into a drink - thus avoiding a plague of vampires. The only other notable lore is that the heart of a vampire is the most potent thing another vampire can consume and will make that vampire younger. It is worth noting that Fyodor has front fangs and all the other fangs we see are side placed (though we see the Count's as broken and aged).

Fyodor's front fangs

The film looks brilliant, the black and white photography superb, with a real Gothic edge, and the acting is top notch. The story, as mentioned, is on the surface really simple but the political discourse is interesting and has not only much to say about Pinochet and the enduring impact of his legacy, as well as wider nationalism, popularism and neo-liberalism/capitalism conversations, but also plenty to say about the church as well. This is not a film to go into expecting anything different to what it is, this is not a grand story or a standard horror. It sits neatly against such films as Back to the USSR - though this is, by script, satirical edge and cinematography, far superior to that film. 7 out of 10.

The imdb page is here.

Friday, September 15, 2023

Short Film: Lucy X Mina


Sean Rourke’s 2022 short film comes in at roughly the 18-minute mark (the YouTube release is longer as it has additional material at the end). It imagines a world in which Mina was freed from Dracula as per the novel but she also managed to resurrect the vampire Lucy (Megan Rees, Vamp U). Now, in 2022, Mina is a vampire hunter and Lucy is a master vampire.

The film sees Mina visiting her great-many times-grandson Patrick (Jack Conway) who is dying and is the last of her familial line. Meanwhile a group of vampire hunters have located a vampire lair but it just happens to be Lucy’s. Lucy is now a thoroughly modern vampire, with cams through the lair, remote fired guns and a nice line in zombies to protect the lair. However, she is still a supernatural creature and is vulnerable until the sun sets – in 30-minutes (one wonders why they have left it right until sunset to raid, after all they are professionals, but we don’t get the backstory that might explain).

Lucy in coffin

I rather liked the use of lore in this – especially the use of a rose (ok its meant to be wild rose) to seal the vampire in her coffin. As for Mina’s immortal human condition, the film does touch on it but reveals it to be a mystery. It feels like the start of a whole thing and the two characters worked for the most part. Where it struggled for me, character-wise, was in the fact that vocally the two characters were clearly American and yes I get that accents change, but one expected the two Victorian English* ladies to sound less colonial. That said, better for the actresses to use their own accents unless they can do another accent that passes.
*I say English but the film actually codes Mina as Irish.

friends reunited

The film was slickly shot and looks really nice and I really would like to see where Sean Rourke could take this concept. There is plenty of scope within the storyline and the story layers some really nice ideas in, which I can’t touch on as they spoil a bit too much. Overall, this is a neat short and worth taking some time out to watch.

The imdb page is here.

Wednesday, September 13, 2023

Classic Literature: The Police Agent


The blurb: The Police Agent (1867) is a milestone in the development of crime fiction. Its eponymous hero, the cunning Mr. Porion, a.k.a. Père Cinnamon, does not employ his detective skills to pursue a vampire-like serial killer intent on bleeding children, but rather to protect him, while simultaneously serving other predatory aristocratic interests, such as providing the lecherous King Louis XV with a steady supply of virgins.

This crime novel Ponson du Terrail wrote may seem eccentric to 21st century eyes because the genre has undergone many refinements, but it remains fascinating as an example of its evolution. The Police Agent contains examples of deductive detection applied to a criminal investigation, as well as foreshadowing what became the “police procedural.”

The Police Agent boldly asks: if the police and the criminals are on the same side, possessed of all the power and legal authority, who can play a heroic role, and how can he possibly prevail, escaping torture, murder and annihilation?

The Book: this is the third story by Pierre-Alexis Ponson du Terrail that I’ve looked at here, the other two being the Vampire and the Devil’s Son and the Immortal Woman, and again it has been translated by Brian Stableford. Originally a serial entitled L’Auberge de la rue des Enfants Rouges it is, as stated in the blurb, crime fiction and features a serial killer who both drinks and bathes in human blood. The reason, because his face is ravaged by leprosy. The leprous Tartar isn’t the only one who does so, there is mention of a royal also indulging in the practice. The killer gains his blood two ways; one is using his sister to lure young men who are then drugged and bled and the other is to kidnap young children.

Interestingly, after one of the heroic characters, Hector, escapes the vampire, the killer leaves Paris and there are less murders (the minor royal is still indulging his peculiar tastes). When he has cause to return, his face is free of the disease and though he tells Louis XV that it was a potion (and not blood) that is able to bring the dead back to life, made younger, and suggests it is the method used by Le Comte de Saint-Germain, he does in fact still bathe in blood – though at times uses ox blood, “You took a human bath yesterday, today this [ox] blood will suffice”. He is required, when bathing, to take a paralysing narcotic himself and allow his own blood to mingle with the bath. This is not really explained.

So, though the vampire (named as such in text) is a human serial killer there does seem to be a supernatural element slipped into the narrative, given that his leprosy was cured. The book does ramble (like many of the stories of the time, written and published piecemeal) and sometimes contradicts itself. It is fascinating to see a story were so many of the primaries are drawn negatively, where the power of law and order is not used to protect and serve the people but, rather, maintain the privilege of the 1%. The vampire storyline is used to open the tale and lead to its denouement but the vast majority of the story is twisting and turning like a soap opera with no mind to that primary tale – though the very ending replicates historical fact and the assassination attempt on Louis XV by Robert-François Damiens.

In Paperback @ Amazon US

In Paperback @ Amazon UK

Monday, September 11, 2023

The Curious Dr. Humpp – review


Directors: Emilio Vieyra & Jerald Intrator

Release date: 1969

Contains spoilers

I had, of course, heard of this Argentinean exploitation film but I had never got around to watching it. But then Simon Bacon contacted me and let me know that it is, in fact, a vampire film. A sex vampire, but a vampire nonetheless. Normally I’d thank folks for putting me on the trail of a new-to-me old vampire film, but this time – with the greatest love and respect – we can blame Simon for this one.

Aldo Barbero as Dr Zoid

Co-director Emilio Vieyra actually helmed the earlier, and more traditional, vampire film Blood of the Virgins - a sexploitation film. This film failed the sexploitation test when distributed to America as the US distributors felt the need to add 17-minutes of additional “sexy” footage – mostly around the lesbian couple and the orgiastic hippies.

Gloria Prat as the stripper

The intro is odd in and of itself. We see feet, a couple kissing, chloroform in a monstrous hand and the couple grabbed by uniformed people (faces unseen) and put in a hearse-like ambulance. Then we have a montage of a lesbian couple, a drunk guy, an onanistic woman, orgiastic hippies and a club stripper (Gloria Prat, Blood of the Virgins). They are all got by a monster (or perhaps a man in a mask, as it looks just like a mask). The club stripper scene is the strangest as the creature enters the club, sits and watches at first, with apparently no shock from the rest of the clientele.

the monster

There have been 10 kidnappings in ten days we discover, as reporter Horacio Funes (Ricardo Bauleo, also Blood of the Virgins) meets with Inspector Benedict (Héctor Biuchet). Benedict is not happy with the coverage the reporter has given his investigation (and yet works with him all the way through). Funes is associating the disappearances with a case 30 years before in Italy. Their first proper clue comes from a barman (Justin Martin, also Blood of the Virgins) who remembers the strange looking fellow in the club.

Susana Beltrán as nurse Enfermera

Meanwhile we meet Dr Zoide (Aldo Barbero) or Humpp. He has created the monster (in fact he has a veritable army of them, and is experimenting with sexuality by giving the kidnap victims aphrodisiacs and having them have sex. This process leads to him extracting an essence and he needs that essence to survive. In fact, we see his hand having corrupted and then restored by the essence. This then is the vampiric element – the extracted essence created through extreme sexual activity literally keeps him alive he says. In fact nurse Enfermera (Susana Beltrán, also Blood of the Virgins), who has a thing for him, says “Oh, please...use my body to keep you alive!” Enquiring about one couple she suggests that she can be used again but he has no more essence and is spent – his body is disposed of in a furnace suggesting death is the final consequence of the extraction.

free-range kidnappees

Beyond this we get a talking brain in a jar (the original Doctor, and Humpp was his first experiment meaning the essence is also keeping him young some 30 years on), a strange scene where the free-range kidnappees are in the garden whilst the main monster strums a transparent string instrument, with the same ‘emotionless’ monster falling for the stripper and Humpp’s undoing when he captures Funes and the reporter's sexual prowess not only attracts the stripper but makes nurse Enfermera fall for him and consequentially betray Humpp.

rapid decay

Yes, it is a very strange film. It is also not very good and yet there is something morbidly fascinating about it. There is quite a bit of naked flesh and softcore sex – especially through the added bits. The monster (and his brethren) looks blooming awful. The story chops are bad (for instance, sending the monster to the pharmacy for aphrodisiac ingredients and then Humpp going himself after the brain said not to as he’d get caught) and we get a poorly executed rapid decay that reminds the viewer that this is a vampire film. And yet, and yet, there is something about this to the point that 2.5 out of 10 is more than it deserves but is the score it gets.

The imdb page is here.

On Blu-Ray @ Amazon US

On Blu-Ray @ Amazon UK