Director: Peter Werner
Release date: 1997
This was not so much a remake of the 1944 Universal movie but a borrowing of the name. The 1944 movie was a monster mash with the 3 staples of Universal monsterdom, whilst this was a modern set film that contained lycanthropes who turned into wolves rather than the half man half wolf form, a set of vampires led by one Crispian Grimes (Greg Wise) rather than Dracula and, probably most importantly, a Frankenstein’s monster (Peter Crombie) that had more to do with the original Shelley creation than the Universal imaginings and actually had a key role to play in the show.
The problem was the entire thing was probably an hour and a half too long but, as things began, we had a man, Drake (Heath Lourwood), in a truck whilst we also saw the city from the point of view of something flying. This is a vampire – though we do not see them in full vamp mode at this point only the strange way in which they see the city. The man is got. The next day the cops are looking at another victim of the killer the press have dubbed the Midnight Raptor. Police detective Coyle (Adrian Pasdar, who was in genre classic Near Dark) is on the case.
Meanwhile the owner of a club, The House of Frankenstein, Crispian Grimes is also looking for something – or, at least, has someone looking on his behalf. Dr Neimann (Krzysztof Pieczynski) is out in the artic circle trying to find the Frankenstein monster for Grimes. The monster is as described in Shelley’s novel, though most now think him fictional. The name of the doctor is a nod to Universal as he shares the name with Boris Karloff’s character in the 1944 film. Of course, eventually, he finds the monster, brings him back to LA and defrosts him.
There is a party at an observatory. One of the persons there, Grace (Teri Polo), decides to leave and is followed by a man named Rod (Christopher Murphy), who wants to get it on with her. They are walking and she thinks she hears something when they are attacked by a wolf. The wolf mauls Rod and scratches her but she manages to pepper spray it and get away. Unseen by her, and the other guests, the wolf becomes a man and drives away. It is through the attack she ends up meeting Coyle.
Essentially what we then have is the fact the Crispian is a master vampire and also the raptor, he has been leaving kills to be found because he is bored. The wolf works for him but becomes a liability and is disposed of (silver bullet in the heart). Crispian wants Grace killed and then changes his mind and wants her for himself. Meanwhile the creature escapes and wants to get back to the North Pole but Crispian wants to control him too. Coyle begins to believe there is something supernatural going on and turns to expert Dr Shauna Kendall (CCH Pounder) for help, a woman who has been trying to tell the police that they have a vampire on the rampage.
It is, of course, the vampire that we are most concerned with here and the blooming thing looks like a bit of a joke, to be honest. Or should I say the master vampire does. The other vampires look more standard and we’ll get to them soon enough. However our half bat/half demonic vampire, with floppy rubber ears. Well to be honest it has a touch of the vampire in Howling 6: the Freaks - though that was actually cooler.
Perhaps the look came from the messed up lore. These vampires can go out in the sun and have reflections. They can be killed by stake through the heart or immolation – or both, just to be sure – though Crispian seems to be able to shrug off the old stake with ease. Importantly they are scared of holy items – which actually leads to one being burnt by the blessed ashes of a cremated mother!
Why do holy items work? Shauna tells us that she believes that vampires are fallen angels – hence the wings! Holy items work because the only predator that a fallen angel has is God. Well, frankly, that theory blows chunks. If it were true then angels could turn humans into angels because people can be turned by fallen angels. Take Grace’s friend Felicity (Jorja Fox), who is turned and switches from typical Californian to a school-marm gothic fantasy through a vampire bite. Perhaps only the master vampires are fallen angels, though I prefer to think none of them are.
Interestingly the Frankenstein monster refers to himself as undead and, in many respects, it is a very apt description – though I was less convinced with the idea that lycanthropes are classed as undead also. There were a couple more nods to Universal, a young girl with a ball brought scenes from Frankenstein to mind and a set up designed to control the creature introduced a bolt in the neck type look for a moment. The series also has an interesting cure for lycanthropy.
The problem is there isn’t really too much of a story, it seems quite cobbled together and the main thrust Coyle and Grace in love, Crispian lonely, didn’t need the massive length of a mini series to explore. The whole thing could have been condensed to 90 minutes and been no worse of for it. The acting was a little too ‘prime time TV’ in places.
All in all I was not that impressed with this, the original idea seemed okay – let us modernise the classic monster mash – but then I suspect a committee got involved and the thing lost direction and meandered below mediocrity. 3 out of 10.
The imdb page is here.
Saturday, June 06, 2009
Director: Peter Werner